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#96578 03/01/03 02:42 AM
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Wow, wsieber, I didn't know that, either, and I played violin for years and years. I didn't have time to read the link before now. Here's rather more than I wanted to know: The intestine must be pulled from the animal immediately after slaughter while the gut is still hot. This will insure that the blood vessels that run into the casing will be broken off close to the gut wall. To allow the organs to cool will risk having these veins break off as much as 1.5 inches away from the casing wall. This creates "whiskers" that lower the quality of the gut for musical string use. These whiskers are almost impossible to get rid of and will inhibit the quality of the string by introducing a contaminating agent in the muscular membrane. Whiskers also increase the likelihood of a false string because they change the otherwise regular linear mass of the gut. To insure the best quality the gut must be removed immediately, separated from the fat, stripped of manure and put into cold running water. The presence of fat will inhibit the bonding of the fibers during the drying process. Manure will cause stains in the set which are difficult to get rid of. The cold water will help preserve color and strength of the casing. This is one of the things that, when I learn about it, makes me wonder how on earth people ever thought to do all those things they did to get it to work.
Wouldn't mind having one of those Strads, Anna!


#96579 03/01/03 03:17 AM
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Some interesting word stuff from the link:

To twist a number of these whole guts together is to have a string that does not distribute the tension evenly between the muscle fibers. To solve this problem the Germans, according to De la Lande, developed a device called the splitting horn, (figure 5). This is also known as a soutil or subtle, taken from the Italian word sottile which means narrow or slender.(6)



#96580 03/01/03 03:04 PM
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Oh, yeah, the splitting horn! It splits the gut in two. Gee--if it split it four ways, could we say it was a tetragutoctomy? Seriously, though: unless I am completely off base, the Germans invented the splitting horn in the late 1700's; isn't it marvellous that something from so long ago is still the best tool for today?


#96581 03/01/03 03:22 PM
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Thanks for the interesting link, AnnaS.

I am a cellist and have been using gut strings on my cello for the past 20 years. They have a warmer tone than nylon or steel -- just right for playing Bach.




#96582 03/01/03 03:25 PM
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and another musician on the boards!



formerly known as etaoin...
#96583 03/02/03 12:23 AM
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Yes!! And one who goes for baroque as well!


#96584 03/02/03 01:19 AM
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musicians

No...another one who goes broke is more like it.


#96585 03/02/03 01:23 AM
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Yah! Hence the reference to "my day job" in another thread...


#96586 03/03/03 02:18 PM
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As I leave the room for lunch I'll often announce "I'll be back" (with an Austro-German accent alla-Schwarzenegger).... ocasionally I'll hear replies like "I'll be Handel" -or- "I'll be Stravinsky")


#96587 03/03/03 02:20 PM
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nah, the best response to that is:

and I'll be Haydn...



formerly known as etaoin...
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