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#86103 11/11/02 12:21 AM
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how do we do half and whole notes?

My original idea was that you would define up front what, e.g., do meant. I could be a half note if that's the longest note in the piece or a whole note. If that's too erratic we could tie quarter notes but Dub's suggestion sounds good, too.


#86104 11/11/02 12:43 AM
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sorry, WW! you're right! maybe Bill can Tell me later what the other one is...

I like the underscore idea, but they both make sense. the upfront definition idea(we need a name for it) would be easier to type, I would think.

probably would need a time sig at the beginning too, or is that part of the fun?

I probably should study up on my quaver terminology, too, eh? seeing as this is an international crowd...





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#86105 11/11/02 12:50 AM
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Where's the Gutter Police when you need them? They're making overtures again!


#86106 11/11/02 12:59 AM
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PS I have a hard time recasting the longer symbol as the shorter note (soll vs solll).

We need something less counterintuitive. Maybe a . as a time filler ?

sol sol sol . sol sol sol . sol sol sol . Do . sol . Do . sol . Do . sol . fa . mi(flat)* . re . do

edited for ?clarity?:
solsolsol . solsolsol . solsolsol . Do . sol . Do . sol . Do . sol . fa . mi(flat)* . re . do


* (How _do_ you indicate accidentals in solfeggio, anyway?)


#86107 11/11/02 01:11 AM
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or perhaps the . indicate length: each . indicates an eighth note? notes immediately following a . indicate a dotted rhythm?

mi re mi fa.. mi re mi do.rere mi...



formerly known as etaoin...
#86108 11/11/02 01:13 AM
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That's the end of it? You're all Finnished?


#86109 11/11/02 01:27 AM
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haha! well, I don't think we're trying to find a way to score entire symphonies!

for flats and sharps in solfege, my understanding of it is they go to a(h) or e(h); such as mi flat is ma(h), and ti flat is ta(h). la flat would be te(h). sharps go up to i. so la sharp is li, etc. please correct me if I'm wrong, this is new ground for me as well! my middleschoolers do ok with major scales, but it gets crazy once we go beyond that. I know, I know, I've got work to do...





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#86110 11/11/02 10:35 AM
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So... Do you want fries with that?I never learned music but I can Español with the best of them


#86111 11/11/02 11:23 AM
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I can Español with the best of them

¿Como se dice, "You want fries with that?" en español?


#86112 11/11/02 06:08 PM
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...sharps go up to i. so la sharp is li, etc...

'cept it's pronounced "lee" (just like "mi" and "ti").

In solfege, the upper and lower adjacent 1/2 steps being variants of the major scale dependent on direction (as etaoin described) embed an unnecessary if not overweighted advantage to western harmony into the ears of the trainee...

... but, then again, that might be one's goal.


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