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I tend to try to reduce information in constructs to a nuclear argument, the schema of further concepts. (For me, facts which do not bind easily to such schemas are hard to remember.) These concepts may--and very often do--have visual analogues. One type of analogue is character, or plot, so that this kind of thinking may be realized in dramatic production.
Poetic thought is more akin to music or dance and appears independent of me. Language itself becomes world, image, angel. Insistant but not lingering.
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