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#33883 07/01/2001 2:57 AM
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And, actually, I took mav to be framing the intended specificity of his question in his final red highlight.


#33884 07/01/2001 3:11 PM
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Capital Kiwi > my list in the previous post stands, if only because if I fiddled with it I'd be like Wow - torn between umpteen different authors

"umpteen authors" : too true Cap!
And I didn't mention the fascinating books about Hawaii and its people or the wonderful books I've read from China like "The Mustard Seed Garden" and David Kidd's "Peking Story." Then too, the Japanese "Tales of Kanji"!

I find it interesting that most all of the books listed here are for European and American authors. What books would a native of China or Japan, or India or Saudi Arabia put down as their canon?
I guess it's all in what we are exposed to : for instance I know a lot of European History from reading, whereas my older son who graduated from the University of Hawaii can reel off the Chinese history and dynastic info and the Japanese Emporers and Shoguns etc. I'm sure his list would be quite different from mine, and not just because of the ages and "times!"


#33885 07/02/2001 10:34 PM
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Having been away a few days, this is great to come back to. Thanks to all comers in an interesting conversation - new voices welcomed too!

I guess what I had in mind was this, to attempt a reframe in more explcit terms:
1 Name the ten authors of literature in English you consider most important and representative of enduring qualities, consistent with
2 Your own (formative) experience, culture, country of domicile etc

I wasn't asking for the list of authors you felt had had most impact on you (which might be more to do with content, sometimes?), although this may be the basis of another fun comparison. I was quite assuming there would be (possibly wide) variation in responses, and as mentioned also open to the argument that the whole idea of a canon is redundant. But it's an interesting proposition to make yourself try and face, isn't it? I was also not originally proposing to try and agree a concensus canon at the death... but hey, we can try if anyone wants!

Completely convinced I am by your argument, AnnaS, btw - another sub is coming on in my team! It's another strange feature of this exercise (for me at least) to realise there are certain authors and works that really have shaped my understanding and use of language yet whaich I take utterly for granted, like that. AA Milne is possibly another, though with Pooh & Co I probably have to struggle to carefully separate out the case for 'creative use of language' and 'dear old friends of developing years' (content).

And yes, though there are hundreds of works I have enjoyed or taken some substance from, that is not quite the same thing, I think, as the recognition that the author's use of language itself has somehow changed your understanding of the possibilities of magic at work.

But yes, CK, it's an artificial construct, of course, and I completely agree about a prescriptive meaning to 'required': I would never want any book rammed down anyone's throat under any circumstances. That's why I suggested this is a bit of a game - even if taken in different ways by different players (AYL...)


#33886 07/03/2001 10:31 PM
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with Pooh & Co I probably have to struggle to carefully separate out the case for 'creative use of language' and 'dear old friends of developing years'

What, you've never played "Pooh sticks" or said "Oh, bother"?


#33887 07/04/2001 1:10 AM
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> 2 Your own (formative) experience, culture, country of domicile etc
I left out all those personal choices because I thought they were not universal enough. Instead of submitting my list over again I will write authors names under headings. What dictates this - is the love of the language.

Word play (and fun?) : Lewis Carrol and Shakespeare

Style : Maugham, Swift, Hazlit.

Structure : Shakespeare, Moliere, Wilde, Ibsen, Annouilh

Wit : Wilde, G.K Chesterton, Atre

"Easterness in the English" : Sarojini Naidu, Nissim Ezekiel, Tagore, Khayyam/Fitzgerald, Arundhati Roy

Simplicity (in writing and subject matter) : R.K Narayan, Ruskin Bond, Vikram Seth, Maupassant

Characterisation: Shakespeare, Carrol (Mock turtle?)

Imagination : George Lucas, Salman Rushdie, Asimov, Orwell, Carrol

Fieriness (or sensousness) :Emily Bronte, all Urdu Shayars (poets), Yeats also Khayyam

Reality : Chekov

For their stories : Harper lee, Jane Austen


Okay - two of this list don't even write in English - Atre and the Urdu Shayars, but they do add to my love of English. I think languages are linked. If you like something in one language you look for it or generate it in another. I have also included the translations because they have added to my love of English (or language in general).
-----

Come back Shanks.



#33888 07/04/2001 1:50 AM
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Perhaps the individual writers are not as important as the quantity and variety of works one has read.

I look at all your lists and realize that even if many of the authors are considered masters, or “must reads,” I have read very little by most of them. I <know of> Austen, Keats, Byron and Hemingway but have never read any of their works. The same goes for most of the authors listed, yet, I have a better than average grasp of the English language and my writing skills are quite good.

I do not attribute my knowledge to reading a prescribed set of authors but to my voracious appetite at reading anything I got my hands on.

Why is reading William Shakespeare more important than reading Asimov; or Reader’s Digest for that matter?


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wwh, are you to tell me that there is nothing to be learned from "The Star-bellied Sneetches", The Grinch Who Stole Christmas", "The Lorax", "The Battle of the Butter", etc.? There is a rhythm to Seuss' language that teaches the value of phrasing besides the obvious moral teachings.

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Dear Consuelo: I read Dr. Seuss to all of my five kids, but I said I would not put it on a list of "required" reading.


#33891 07/04/2001 10:39 PM
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Why is reading William Shakespeare more important than reading Asimov; or Reader’s Digest for that matter?

This is surely the rub regarding the value of a canon. My understanding would be this: that some authors use and abuse language in such a creative way that they stretch the possibilities for all who come after them.

So, while as a devoted reader of breakfast cereal boxes I know exactly what you mean about breadth of experience, I think some writers offer us a depth of experience that is not available even by say giving a hundred typewriters to a hundred monkeys in the Readers' Digest building for a hundred years...


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wwh,
"but imagine requiring the reading of Dr. Seuss' entertaining but hardly educational works" I am not objecting to the first part, only the last three words. 'Nuff said.

consuelo

#33893 07/05/2001 12:22 PM
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Ooops, let me check what category I am in before posting. Yup, yup, miscellany...so no category police will rain wrath upon my head jumping off topic....

All right people, I leave you alone for a few months and everything goes to hell in a hand basket...NOBODY made a comment on the "fire you own canon" subject line. You'd think I was playing alone here. Handling stuff on my own. Taking care of business by myself. (snicker, snicker, snicker … as she settles comfortably back into the gutter )



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I think some writers offer us a depth of experience

A recent read with that quality : "Corelli's Mandolin" by de Berniere. Magic.


#33895 12/23/2001 7:39 PM
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BelM - It's been a while since the board has been responsive and worth probing into the depths...

Back when this was a *current thread Avy requested (privately) that I post my list. I thought a bit, made a list, but promptly decided that my voice has no place speaking of specific authors since there are so few that I've read more than two of thier works.... I'd have no problem coming up with a list of ten for WO'N and a VH1 vote, but don't tempt me.

... but let me make an observation(FWIW).

I can't imagine making Shakespere or DrSeuss required for all to read (unless it's for a comparative analysis)... however, reading a dictionary should be required. Has anyone had to do so? (let's not start the question of which dictionary).

I've had a chance to read a book or two from many of the authors in the above posts, and those that I've never heard of (especially those from Avy's list) are on my 'to read' list. My point is that a *required list should seek to inspire and promote curiosity by it's diversity, yet not have aspirations of giving a deep understanding of, say, E. Dickinson or E. Hemmingway. An ability to understand or interpret (and quite possibly enjoy) requires more tools than the "rookie" has at hand. Refining these tools is what schooling is about (IMHO) and a legacy of what the teacher has enjoyed (or has been 'most succesful with') often has the deficiencies of the student graded instead of repaired. Should we move this discussion to "...in schools"?

This *assesment is limited to my own experience at a major liberal arts university, and it purports a goal of learning and not exposure, which I differentiate as internal -vs- external. Yet, experience tells me this world would be much better off if everyone was required to just read W. Burroughs.


#33896 12/23/2001 8:02 PM
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I read "Naked Lunch" and despised it. All I remember from it is the lovely visual image of "penises darting up assholes."


#33897 12/23/2001 8:22 PM
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Quoting myself:

...just read...

I suppose it could have been interpreted as "reading only", yet my intention was to say "only read" (and not experience him).

Yet again my words are incapable of expressing intention. wwh - I apologize for drawing back to the surface an unfortunately singular memory.


#33898 12/23/2001 8:57 PM
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Here's a link to a site about William S. Burroughs. I still find nothing to admire about him. The beat generation had nothing I could admire. Those who posted favorable comments about Burroughs were mostly praising his cnampioning the right to use drugs. The efforts to control drug use have failed very badly, but I despise those who abuse drugs, particularly if they glamourize drug use. Take a look at this URL, and see what bunch of sad sacks his admirers are:

http://www.ibiblio.org/mal/MO/wsb/


#33899 12/26/2001 12:04 PM
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Can't do the ten thing, but can do the formative one:

Anon
Hardy
Lawrence
Twain
Dickens
Stevens
McCullers
Faulkner
Williams, Williams, Williams (not enough there; left me unsatisfied and wanting more)
Plath
Flaubert
Dickinson
Boswell
Johnson
Thoreau
Emerson
Nin
I. Duncan
Vonnegut
Ibsen
Frost
Glasgow
Doyle
Specifically on Shakespeare (for formative) OTHELLO
Any dictionary
Bible
(and, sorry) Myself (What's the good of all that formative reading without writing, then reading oneself?)

Books regards,
WordWeaver


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