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#67022 04/23/02 08:06 PM
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Today is the anniversary of Shakespeare's birth and death.

Today is also St George's day.


#67023 04/23/02 08:29 PM
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Dear dxb: Do you mean Shakespeare died on his birthday?


#67024 04/24/02 12:25 AM
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dr. bill asks, Do you mean Shakespeare died on his birthday?

Yes -- to the extent the dates are known. http://shakespeare.about.com/library/faqs/blfaqsbirth.htm
It is spooky to me to realize that he died on this day at precisely my age this day.


bartleby's quotation-of-the-day, today, is this spring-thought from his pen:

Now ‘tis the spring, and weeds are shallow-rooted;
Suffer them now, and they’ll outgrow the garden,
And choke the herbs for want of husbandry.


-- Queen Margaret, in Henry VI, Part 2, act 3, sc. 1, l. 31-3.



#67025 04/24/02 12:51 AM
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Samuel Clemmens (Mark Twain) was born in the year of Halley's comet, and died in the year of the next Halley's comet. What other famous anniversary coincidences might there be?


#67026 04/24/02 02:01 AM
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John Adams and Thomas Jefferson died on the same day--a significant anniversary--July 4, 1826.


#67027 04/24/02 03:09 AM
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Adams' last words were, "Thomas Jefferson still lives" -- he could not know that Jefferson had died a few hours earlier.


#67028 04/24/02 04:06 PM
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Dr Bill inquires: Do you mean Shakespeare died on his birthday?

Indeed... which makes his prolific output all the more wondersome since he lived less than 24 hours.


#67029 04/24/02 04:39 PM
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died on his birthday

It should be noted that dxb's original post said nothing of the sort. What it said was that April 23rd was the anniversary of Shakespeare's birth and death.



#67030 04/24/02 05:22 PM
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On which logic we must of course delete the entire birthday thread.


#67031 04/25/02 06:40 PM
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#67032 04/25/02 06:48 PM
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I think it appropriate that my virgin post here should be as provocative and disruptive as possible.
Well now, why would you think that, I wonder? I am posting to advise you that we have had more than enough of that recently. Though I applaud your topic as being appropriate, I question your stated motive. This is not an invitation to reply.

Edit--Note: I made this post, speaking as the Administrator.


#67033 04/25/02 06:51 PM
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For those who embrace the copious evidence which supports Oxford as the writer, it may be interesting to note that his birthday is actually April 11th.

Which, quite significantly*is April Double Fools' Day, April Triple Fools' Day coming on July 10th. I've never had the stick-to-it-iveness to figure out when April Quadruple Fools' Day is.

*Or not, depending


#67034 04/25/02 10:45 PM
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Well, an interesting way to start SilkMuse, but WELCOME none-the-less...


#67035 04/25/02 11:06 PM
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Silk! I see you made it here! Welcome aBoard! Hope you enjoy posting here as much as I do.


#67036 04/26/02 12:31 AM
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SilkMuse, if you really are a new person, then I bid you welcome. (Me, and the Administrator, too...)


#67037 04/26/02 01:11 AM
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Now Jackie, that's hardly the warm welcome to a newcomer that's become your trademark.

The warmest of welcomes to you, silkmuse. Here's hoping you slide smoothly into our sweet company.


#67038 04/26/02 01:12 AM
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Imagination

Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover, and the poet
Are of imagination all compact:--
One sees more devils than vast hell can hold,--
That is the madman: the lover, all as frantic,
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in a fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And, as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes, and gives to airy nothing
A local habitation and a name.
Such tricks hath strong imagination,
That, if it would but apprehend some joy,
It comprehends some bringer of joy;
Or in the night, imaging some fear,
How easy is a bush supposed a bear!

from A Midsummer's Night's Dream, Wm Shakespeare? Francis Bacon? Edward DeVere? Christopher Marlowe?





The Only WO'N!

#67039 04/26/02 07:45 AM
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>or the obviously well educated, well travelled and well-read man who is responsible for the plays which bear the name of Shakespeare

There is also the view that a collection of writers got together in the pub to write and whenever they thought that they'd turned out something decent they called it Shakespeare - that might well account for his inability to spell his own name consistently.

I also love Tom Stoppard's idea in the script of "Shakespeare in Love" that all his best plots came from Marlowe.

Will we ever know the truth? Whatever the answer, April 23rd is as good a day as any to celebrate the Bard - the Scots have Burns Night, so I think that we should have a big party every year, any excuse really.

By the way Maverick, do the Welsh have a special Dylan Thomas day?


#67040 04/26/02 08:38 AM
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a special Dylan Thomas day?

yes - it's any day with a 'd' in the name




#67041 04/26/02 08:47 AM
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#67042 04/26/02 12:37 PM
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#67043 04/26/02 12:42 PM
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the suspicion with which a "newbie" might be greeted here

aptually® we have a long history of exceptionally welcoming and receptive attitudes on this board - you enter on the coat-tails of discord which has seemed at times to deliberately ferment such attitudes. So in the spirit of enquiring minds, I bid you welcome, draw up a seat and have fun!

yeah, right, that's what we need, another lawyer...



#67044 04/26/02 01:24 PM
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I also love Tom Stoppard's idea in the script of "Shakespeare in Love" that all his best plots came from Marlowe.

I've seen it three times now and laughed just as hard the third time. "Romeo and Ethel, the Pirate's Daughter."





The idiot also known as Capfka ...
#67045 04/26/02 03:59 PM
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If I take your point correctly, WO'N:
from A Midsummer's Night's Dream, Wm Shakespeare? Francis Bacon? Edward DeVere? Christopher Marlowe?,
I can only agree with you by saying - what's in a name? A rose by any other..........

dxb





#67046 04/26/02 04:25 PM
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A rose by any other name would still have thorns.


#67047 04/26/02 04:56 PM
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???? faldage? Non capisco.


#67048 04/27/02 08:57 AM
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May I add my, somewhat belated welcome to you, SilkMuse. May you spin us many an interesting yarn.

And how dare you suggest that our beloved Bill Shakespeare was anything other than our beloved Wm Shaksper.


#67049 04/27/02 01:10 PM
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Summary of Baconian Evidence for Shakespeare Authorship:

http://www.sirbacon.org/links/evidence.htm

There's also been some other discussion about all this here:

hhttp://wordsmith.org/board/showthreaded.pl?Cat=&Board=words&Number=62240

The Only WO'N!

#67050 04/27/02 01:31 PM
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A rose by any other name would still have thorns.

We can complain because rosebushes have thorns or rejoice because thornbushes have roses.



The Only WO'N!

#67051 04/27/02 01:32 PM
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"deliberately ferment such attitudes."

Dear mav: to tease you gently,whouldn't this be in WW's thread about words that get confused?

ferment vs foment


#67052 04/27/02 01:32 PM
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A rose by any other name would still have thorns.

Oh. I thought that ...A nose by any other name would smell a sweet.

I saw Bill Moyers' new PBS show last night wherein Herman Gollob, author of Me and Shakespeare, stated that the common theme of the tragedies was the conflict between ego and altruism. Using that idea, could a tragedy even be written today? IMHO, altruism has been murdered.


#67053 04/27/02 03:42 PM
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#67054 04/27/02 03:54 PM
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Dear Geoff: though repeatedly violated, altruism is more widely practised than at any time in previous human history. It just hurts more because we notice selfishness more.


#67055 04/27/02 05:31 PM
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#67056 04/27/02 07:42 PM
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could a play be written today about dreams, since MacBeth murdered sleep?

Ohmygosh, I thought it was SHEEP, in keeping with Lady Mc's killing their dog ("Out, damn Spot!")


#67057 04/27/02 07:59 PM
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Gollub's statement that "altruism vs. ego is a common theme of the tragedies of Shakespeare": this
seems an unsupported notion, given the tragedies themselves. Key, in point, are two of the most well-known:
Hamlet & Romeo&Juliet. IMHO, the only completely altruistic characters in these particular plays are,
respectively, Horatio and Benvolio - neither of whom is, unfortunately, actively involved in the conflict.


Don't these two stand as balance points, or sources of reason, somewhat like a Greek chorus, or Lear's fool? And the very name Benvolio seems to suggest altruistic behavior.

I'm not saying that I agree with Gollub, and your citations well refute what ws said in the short time allotted to him on TV - I just tossed it out as food for thought. As for altruism being dead, I did get hyperbolic, but the world seems so steeped in egoistic corporate power and the de-selfing of the common person (as seen in the term "consumer" usurping the place and implicit rights of "customer") that I go overboard with exaggeration at times.

As for your mentioning Arthur Miller's "All My Sons," I'm more worried about another "Crucible," wherein the righteous kill the right. Dr Bill, you lived through the time Miller wrote about in allegory. Do you not see parallels?



#67058 04/27/02 09:59 PM
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Dear mav: to tease you gently,whouldn't this be in WW's thread about words that get confused?

ferment vs foment


Well, Bill, you make an interesting point. But hang on a mo – just consider this definition of ‘foment’:

vt, to apply a warm lotion to; to foster or instigate (usually evil) – n fomentation the application of a warm lotion. […] to reduce inflammation and pain {from Latin fovere, to warm}

Instigating evil – yes, quite accurate; but reducing inflammation? I don’t think so! ;)

Now contrast it with this definition for ‘ferment’:

n a substance that excites fermentation; fermentation; agitation; tumult; vt to cause fermentation in; to work up, excite […] fermentation the act or process of fermenting; a slow decomposition process […] accompanied by evolution of heat and gas… {from Latin fervere to boil} (both definitions from Chambers Concise 1997)

Uh-huhhhhh – exciting tumult which results in slow decomposition accompanied by heat and gas – that does it for me



So how come ‘foment’ came to have the meaning of “instigating evil” attached to it, when otherwise it usually refers to a therapeutic poultice?



#67059 04/27/02 10:03 PM
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Dear mav: I can see we need not fear you fomenting a revolution.


#67060 04/27/02 10:52 PM
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altruism is more widely practiced now than at any time in previous human history. - wwh

Hear, hear, Uncle Bill, so true, so true.

Now if we can only learn to properly integrate altruism with the purpose of our existence we will become a happy bunch.

- -


#67061 04/28/02 01:42 PM
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#67062 04/28/02 03:35 PM
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to paraphrase Dorothy Parker "a human is like a teabag - you never know how strong
they can be until you see them in hot water."


Very good, SM! Parker is one of my favorite wits! Indeed, I quoted her elsewhere a couple of days ago.

I'm very glad to see you on here; you've introduced some really good stuff to this board!




#67063 04/28/02 03:44 PM
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...the world seems so steeped in egoistic corporate power and the de-selfing of the common person (as seen in the term "consumer" usurping the place and implicit rights of "customer") that I go overboard with exaggeration at times.

Geoff, just this morning I finished reading Fast Food Nation ~ if any reader finds even *half* of Schlosser's case plausible, you're not exaggerating. It's not particularly word-related, but if anyone else has read it, I would welcome discussion of the topics via PM.


#67064 05/06/02 12:22 PM
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And getting back to the whole Who-the-heck-is-Shakespeare thing, there's also the point that basically none of the extant copies of the plays were actually "written" - by hand - by their purported author; many were written after Bill died, almost certainly by the actors who played the parts. So if Hamlet doesn't remember Polonius' lines very well... or Nurse doesn't remember Romeo's lines... we certainly can't claim to have 'authoritative' versions. And how could we, anyway? Playwrights at the time didn't publish their plays - they wrote for their company, shaping characters for actors, and having their words regularly changed in rehearsal and performance. The whole idea of a static text would have been foreign; it's quite a modernist idea, as far as I can tell (but don't get me onto Eliot's Wasteland...). And does it matter? Nah. I still get a kick out of Lady Macbeth and the various fools, so who really cares who gets the credit? It's just easier to attribute to a single body...

alexis =]


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