Now, I read the addie as saying it was "Art Bab yart "

Not that I'm complaining, but, ¿Am I missing something here?

I have tried to take this post seriously, and gone to the site. At first, I got a photo of someone who obviously doesn't understand that fork-lift trucks are designed to take the manual effort out of lifting.
However, I finally located the link to "Drunken Santa", but all I get is a reprise of the post made by gleitzeit. (Acherlally, gleitzeit's post is the reprise, what I got was the original, I s'pose, - but I'm telling it in the order it happened to ME!)

How can I comment, as requested, if I don't get to see the picture? (This, I think, may be the point being made by my old friend Faldo - if I've minced your kidneys, pal, my apols!)

minced kidneys

No worries, mate. Sometimes I need someone to explain me to myself.

... or even just to provide rhythm accompaniment.

rhythm accompaniment

Ah, those were the days, I on cane, Rhuby on walking stick. We had 'em dancing in the aisles.

this last little duet was much more interesting than the original post. I like the way you guys trade fours...

>this last... was much more interesting than the original post.

isn't this somewhere in the AWADtalk bylaws?!

trade fours

You shoulda heard us IRL.

I did hear you IRL and it was great!
Now, all youse guys that have been trying to view the painting, listen up. You weren't paying attention. In the post gleitzeit made in Looking for (speakers, writers, etc.) inviting us (or anyone) to participate in his art fantasy is the explanation:

In reply to:

---

CALL FOR SUBMISSIONS for Publication of "Jaisini Gleitzeit Supermodernity"
WRITER'S GUIDELINES
L.C.McCreshly Publications is seeking submissions for their upcoming book entitled: Jaisini Gleitzeit Supermodernity: New age American art.
What is accepted for submission to be included in the book:
Literary essays (1,000-3,000 words) for associative writing on invisible paintings.

---

Invisibility is no excuse.

... and drunken-ness the least successful route to invisibility.

the least successful route to invisibility

I dunno; worked for me. Well, with something else to accompany it.

Wish I knew the trick - drunkeness inevitably makes me horribly conspicuous. :-((

(... and occasionally, conspicuously horrible!)

Wet Dream (oil painting by Jaisini)
by Yustas Kotz-Gottlieb ©

Wet Dream, an oil painting by Jaisini, in terms of exploration of own sexuality, dreams, or nightmares, belongs to a human traditional need for personal revelations. The imagery of the work is of a usually Jaisinesque theme that is not to be a statement or an illusion, but which summons the emotions. In Wet Dream, the feelings of morning euphoria and desire create a new formula f early life's passion.

Jaisini delivers a high sensory level through the graduate, almost hypnotic step by step desire awakening.

The work precedes the Reincarnation series. As in all of his paintings, Jaisini pursues a metamorphosis of the physical and mental states. In his works, the concept and the material are enclosed and inserted within each other. The essential visual vehicle is in a line, that emphatically as a life of its own and could be perceived as an automatic release. The enclosure of the line is not only graphical, but also symbolic of the connection between the picture's elements which await their disclosure.

In the years of cubism, Andre Masson created his series of erotic drawings. In his works, Masson portrayed pure erotica with total absorption in the act, orgiastic, uncomplicated, and a little banal. the lack of diversity in such a subject matter as eroticism resulted in the Masson's scenes of pairs, trios, or even dozens of naked women interacting in a sexual way with one another. Masson filled this scenes with a Rubensian appreciation of the flesh and its pleasures, the very quality which impoverishes the otherwise fruitful area of human psyche.

Jaisini, on the contrary, uses the sensual overtones to enrich and explore the mysterious realm of mind potential. So, instead of creating automatically, similarly, and limited, Jaisini employs his mind to complicate and develop the subject of desire.

In Masson's erotic series, the only sentiment is the libidinous desire. Jaisini reflects a different time and epoch that is not satisfied with the simple approach. Jaisini combines together the physical with psychological, which becomes nearly a game.

The expressionistic line swirls flow in the open canvas ground and embrace the canvas in expansive loops. The work is airy.

The artist's thought transfers line into an image of a contraposto torso with a liplike part on the neck cut. Another female images express their physical and emotional concerns. The bottom lean figure indicates the young age of this female. In turn, that may explain the desperate pose for the erotic fulfillment. The third blond woman at the upper right corner appears to be more sexually mature. She holds a big breast that belongs to another female with a face that has only big red lips and flowing down hair lines. here, we find a profile of a man who seems to sniff the aroma of the female bodies not without pleasure. In the center, there is another gasping profile. The curvilinear forms enhance the overall impression of a fluid movement, which so well corresponds to the erotic sensation. a phallic finger touches a soft pillow and charges erotic energy in all other phallic configurations in Wet Dream.

All images link in their conscious-unconscious, figurative-abstract condition.

The cycle of desire goes on endlessly and is at the core of human existence. In Wet Dream, Jaisini liberates the desire from the self.

In this well born work of art the desire is taken for a model.

The work demonstrates what we know of creation to be a combination of already existing things into newer forms. That being so, the desire of man must have been in an endless existence and will continue to dwell in bodies and in works of art to which Wet Dream is an example.

Copyright (c)2003 Yustas Kotz-Gottlieb. All rights reserved. New York
contact gttlieb@aol.com
http://jaisini.artbabyart.net/


y k-g

the only sentiment is the libidinous desire

¡Seufz!

Wet Dream (oil painting by Jaisini)

yo, gleit! where's the painting? how do I know if your words are worth the electrons if i don't see it for myself?

Pssssst! eta, I'm saying it very slowly for you "writing... on... invisible... paintings"... use...your...imagination...

One could wish that gleit consolidated the effect he creates, by using invisible ink.

Hey! He's just seeing how far he can get with the engines turned off.

Faldage, you try Googling <gleitzeit> and then tell me if his engines are turned off!

engines turned off


Just going by his handle, Rhuby.

Hmmmm. I remember when one had to use a handle to start the engine.

use...your...imagination...

I give up.

I especially liked this response on another board to the Drunken Santa
http://www.asianart.com/cgi-bin/asianart/letterboard.pl?read=9006

See, mav, this is something on the order of what I had in mind that you might possibly write, unless this type of art tickles your fancy

ok, I didn't give up.(why am I spending time on this...?)

anyway, this is what has me confused:

Drunken Santa

Oil painting by Jaisini
Wet Dream (oil painting by Jaisini)

these are invisible? then who the hell is Jaisini? and why does the gleitmeister need an invisible painting to write about?

My interpretation is that he is exploring a different form of art by not buying brushes, paints, canvases, paté, cheap wine, etc. and cyberpainting inside our brains with words.

It was *impossible to take any more of gleitzeit's posting seriously after swallowing this...

...that creates a miracle of equilibrium.

Although I did particularily enjoy reading this in the second *thesis...

As in all of his paintings, Jaisini pursues a metamorphosis of the physical and mental states.

At least the attempts at being a revolutionary aren't going unnoticed.

Where is that sarcasm emoticon...???