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OP
A is for Apple
The Song of Wandering Aengus
I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.
When I had laid it on the floor
I went to blow the fire aflame,
But something rustled on the floor,
And some one called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.
Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.
________________________________ William Butler Yeats
B is for Birch
The Knight's Tomb
Where is the grave of Sir Arthur O'Kellyn?
Where may the grave of that good man be?--
By the side of a spring, on the breast of Helvellyn,
Under the twigs of a young birch tree!
The oak that in summer was sweet to hear,
And rustled its leaves in the fall of the year,
And whistled and roar'd in the winter alone,
Is gone,--and the birch in its stead is grown.--
The Knight's bones are dust,
And his good sword rust;--
His soul is with the saints, I trust.
_________________________________Samuel Talyor Coleridge
C is for Christmas Tree
little tree
little silent Christmas tree
you are so little
you are more like a flower
who found you in the green forest
and were you very sorry to come away?
see i will comfort you
because you smell so sweetly
i will kiss your cool bark
and hug you safe and tight
just as your mother would,
only don't be afraid
look the spangles
that sleep all the year in a dark box
dreaming of being taken out and allowed to shine,
the balls the chains red and gold the fluffy threads,
put up your little arms
and i'll give them all to you to hold
every finger shall have its ring
and there won't a single place dark or unhappy
then when you're quite dressed
you'll stand in the window for everyone to see
and how they'll stare!
oh but you'll be very proud
and my little sister and i will take hands
and looking up at our beautiful tree
we'll dance and sing
"Noel Noel"
_____________________________________e.e. cummings
D is for Daisy
Daisy Time
See, the grass is full of stars,
Fallen in their brightness;
Hearts they have of shining gold,
Rays of shining whiteness.
Buttercups have honeyed hearts,
Bees they love the clover,
But I love the daisies' dance
All the meadow over.
Blow, O blow, you happy winds,
Singing summer's praises,
Up the field and down the field
A-dancing with the daisies.
__________________________ Marjorie Pickthall
E is for Elm
Two Cats and the Elm Tree
One up a tree
One under the tree
The cat up a tree is he
The cat under the tree is she
The tree is witch elm, just incidentally.
He takes no notice of she, she takes no notice of he.
He stares at the woolly clouds passing, she stares at the tree.
There's been a lot written about cats, by Old Possum, Yeats and Company
But not Alfred de Musset or Lord Tennyson or Poe or anybody
Wrote about one cat under, and one cat up, a tree.
God knows why this should be left for me
Except I like cats as cats be
Especially one cat up
And one cat under
A witch elm
Tree.
_________________________________Author Unknown
F is for Figs
Figs
The proper way to eat a fig, in society,
Is to split it in four, holding it by the stump,
And open it, so that it is a glittering, rosy, moist, honied, heavy-petalled four-petalled flower.
Then you throw away the skin
Which is just like a four-sepalled calyx,
After you have taken off the blossom with your lips.
But the vulgar way
Is just to put your mouth to the crack, and take out the flesh in one bite.
Every fruit has its secret.
The fig is a very secretive fruit.
As you see it standing growing, you feel at once it is symbolic:
And it seems male.
But when you come to know it better, you agree with the Romans, it is female.
The Italians vulgarly say, it stands for the female part; the fig-fruit:
The fissure, the yoni,
The wonderful moist conductivity towards the centre.
Involved,
Inturned,
The flowering all inward and womb-fibrilled;
And but one orifice.
The fig, the horse-shoe, the squash-blossom.
Symbols.
There was a flower that flowered inward, womb-ward;
Now there is a fruit like a ripe womb.
It was always a secret.
That's how it should be, the female should always be secret.
There never was any standing aloft and unfolded on a bough
Like other flowers, in a revelation of petals;
Silver-pink peach, venetian green glass of medlars and sorb-apples,
Shallow wine-cups on short, bulging stems
Openly pledging heaven:
Here's to the thorn in flower! Here is to Utterance!
The brave, adventurous rosaceæ.
Folded upon itself, and secret unutterable,
And milky-sapped, sap that curdles milk and makes ricotta,
Sap that smells strange on your fingers, that even goats won't taste it;
Folded upon itself, enclosed like any Mohammedan woman,
Its nakedness all within-walls, its flowering forever unseen,
One small way of access only, and this close-curtained from the light;
Fig, fruit of the female mystery, covert and inward,
Mediterranean fruit, with your covert nakedness,
Where everything happens invisible, flowering and fertilisation, and fruiting
In the inwardness of your you, that eye will never see
Till it's finished, and you're over-ripe, and you burst to give up your ghost.
Till the drop of ripeness exudes,
And the year is over.
And then the fig has kept her secret long enough.
So it explodes, and you see through the fissure the scarlet.
And the fig is finished, the year is over.
That's how the fig dies, showing her crimson through the purple slit
Like a wound, the exposure of her secret, on the open day.
Like a prostitute, the bursten fig, making a show of her secret.
That's how women die too.
The year is fallen over-ripe,
The year of our women.
The year of our women is fallen over-ripe.
The secret is laid bare.
And rottenness soon sets in.
The year of our women is fallen over-ripe.
When Eve once knew in her mind that she was naked
She quickly sewed fig-leaves, and sewed the same for the man.
She'd been naked all her days before,
But till then, till that apple of knowledge, she hadn't had the fact on her mind.
She got the fact on her mind, and quickly sewed fig-leaves.
And women have been sewing ever since.
But now they stitch to adorn the bursten fig, not to cover it.
They have their nakedness more than ever on their mind,
And they won't let us forget it.
Now, the secret
Becomes an affirmation through moist, scarlet lips
That laugh at the Lord's indignation.
What then, good Lord! cry the women.
We have kept our secret long enough.
We are a ripe fig.
Let us burst into affirmation.
They forget, ripe figs won't keep.
Ripe figs won't keep.
Honey-white figs of the north, black figs with scarlet inside, of the south.
Ripe figs won't keep, won't keep in any clime.
What then, when women the world over have all bursten into self-assertion?
And bursten figs won't keep?
________________________________ D.H. Lawerence
G is for Grapes
The Rubaiyat of Omar Khayyam
39
How long, how long, in infinite Pursuit
Of This and That endeavour and dispute?
Better be merry with the fruitful Grape
Than sadden after none, or bitter, Fruit.
40
You know, my Friends, how long since in my House
For a new Marriage I did make Carouse:
Divorced old barren Reason from my Bed,
And took the Daughter of the Vine to Spouse.
41
For "IS" and "IS-NOT" though with Rule and Line,
And "UP-AND-DOWN" without, I could define,
I yet in all I only cared to know,
Was never deep in anything but---Wine.
42
And lately, by the Tavern Door agape,
Came stealing through the Dusk an Angel Shape
Bearing a Vessel on his Shoulder; and
He bid me taste of it; and 'twas---the Grape!
43
The Grape that can with Logic absolute
The Two-and-Seventy jarring Sects confute:
The subtle Alchemist that in a Trice
Life's leaden metal into Gold transmute.
_______________________________________Edward FitzGerald
H is for Holly
Green Groweth the Holly
Green groweth the holly,
So doth the ivy.
Though winter blasts blow never so high,
Green groweth the holly.
As the holly groweth green
And never changeth hue,
So I am, ever hath been,
Unto my lady true.
As the holly groweth green
With ivy all alone
When flowers cannot be seen
And greenwood leaves be gone,
Now unto my lady
Promise to her I make,
From all other only
To her I me betake.
Adieu, mine own lady,
Adieu, my special
Who hath my heart truly
Be sure, and ever shall.
___________________________________King Herry III
I is for Ivy
On Retirement
A HERMIT'S house beside a stream
With forests planted round,
Whatever it to you may seem
More real happiness I deem
Than if I were a monarch crowned.
A cottage I could call my own
Remote from domes of care;
A little garden, walled with stone,
The wall with ivy overgrown,
A limpid fountain near,
Would more substantial joys afford,
More real bliss impart
Than all the wealth that misers hoard,
Than vanquished worlds, or worlds restored--
Mere cankers of the heart!
Vain, foolish man! how vast thy pride,
How little can your wants supply!--
'Tis surely wrong to grasp so wide--
You act as if you only had
To triumph--not to die!
___________________________________Philip Morin Freneau
J is for Juniper
The Snow Man
One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;
And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter
Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,
Which is the sound of the land
Full of the same wind
That is blowing in the same bare place
For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.
_________________________________ Wallace Stevens
******************** END OF PART ONE ********************
OP
Part two of three
K is for Kelp
Tale Of A Tub
The photographic chamber of the eye
records bare painted walls, while an electric light
lays the chromium nerves of plumbing raw;
such poverty assaults the ego; caught
naked in the merely actual room,
the stranger in the lavatory mirror
puts on a public grin, repeats our name
but scrupulously reflects the usual terror.
Just how guilty are we when the ceiling
reveals no cracks that can be decoded? when washbowl
maintains it has no more holy calling
than physical ablution, and the towel
dryly disclaims that fierce troll faces lurk
in its explicit folds? or when the window,
blind with steam, will not admit the dark
which shrouds our prospects in ambiguous shadow?
Twenty years ago, the familiar tub
bred an ample batch of omens; but now
water faucets spawn no danger; each crab
and octopus -- scrabbling just beyond the view,
waiting for some accidental break
in ritual, to strike -- is definitely gone;
the authentic sea denies them and will pluck
fantastic flesh down to the honest bone.
We take the plunge; under water our limbs
waver, faintly green, shuddering away
from the genuine color of skin; can our dreams
ever blur the intransigent lines which draw
the shape that shuts us in? absolute fact
intrudes even when the revolted eye
is closed; the tub exists behind our back;
its glittering surfaces are blank and true.
Yet always the ridiculous nude flanks urge
the fabrication of some cloth to cover
such starkness; accuracy must not stalk at large:
each day demands we create our whole world over,
disguising the constant horror in a coat
of many-colored fictions; we mask our past
in the green of Eden, pretend future's shining fruit
can sprout from the navel of this present waste.
In this particular tub, two knees jut up
like icebergs, while minute brown hairs rise
on arms and legs in a fringe of kelp; green soap
navigates the tidal slosh of seas
breaking on legendary beaches; in faith
we shall board our imagined ship and wildly sail
among sacred islands of the mad till death
shatters the fabulous stars and makes us real.
____________________________________________Sylvia Plath
L is for Lolling Lilly
DREAMLAND
By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule-
From a wild clime that lieth, sublime,
Out of SPACE–out of TIME.
Bottomless vales and boundless floods,
And chasms, and caves, and Titan woods,
With forms that no man can discover
For the tears that drip all over;
Mountains toppling evermore
Into seas without a shore;
Seas that restlessly aspire,
Surging, unto skies of fire;
Lakes that endlessly outspread
Their lone waters–lone and dead,-
Their still waters–still and chilly
With the snows of the lolling lily.
By the lakes that thus outspread
Their lone waters, lone and dead,-
Their sad waters, sad and chilly
With the snows of the lolling lily,-
By the mountains–near the river
Murmuring lowly, murmuring ever,-
By the grey woods,–by the swamp
Where the toad and the newt encamp-
By the dismal tarns and pools
Where dwell the Ghouls,-
By each spot the most unholy-
In each nook most melancholy-
There the traveller meets aghast
Sheeted Memories of the Past-
Shrouded forms that start and sigh
As they pass the wanderer by-
White-robed forms of friends long given,
In agony, to the Earth–and Heaven.
For the heart whose woes are legion
'Tis a peaceful, soothing region-
For the spirit that walks in shadow
'Tis–oh, 'tis an Eldorado!
But the traveller, travelling through it,
May not–dare not openly view it!
Never its mysteries are exposed
To the weak human eye unclosed;
So wills its King, who hath forbid
The uplifting of the fringed lid;
And thus the sad Soul that here passes
Beholds it but through darkened glasses.
By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have wandered home but newley
From this ultimate dim Thule
__________________________ Edgar Allen Poe
M is for Mahogany
The Mahogany Tree
Christmas is here:
Winds whistle shrill,
Icy and chill,
Little care we:
Little we fear
Weather without,
Shelter about
The Mahogany Tree.
Once on the boughs
Birds of rare plume
Sang, in its bloom;
Night-birds are we:
Here we carouse,
Singing like them,
Perched round the stem
Of the jolly old tree.
Here let us sport,
Boys, as we sit;
Laughter and wit
Flashing so free.
Life is but short --
When we are gone,
Let them sing on
Round the old tree.
Evenings we knew,
Happy as this;
Faces we miss,
Pleasant to see.
Kind hearts and true,
Gentle and just,
Peace to your dust!
We sing round the tree.
Care, like a dun,
Lurks at the gate:
Let the dog wait;
Happy we'll be!
Drink, every one;
Pile up the coals,
Fill the red bowls,
Round the old tree!
Drain we the cup. --
Friend, art afraid?
Spirits are laid
In the Red Sea.
Mantle it up;
Empty it yet;
Let us forget,
Round the old tree.
Sorrows, begone!
Life and its ills,
Duns and their bills,
Bid we to flee.
Come with the dawn,
Blue-devil sprite,
Leave us to-night,
Round the old tree.
___________________________William Makepeace Thackeray
N is for NectarNow woman,
the white spirit,
free at last;
and like a bee who has gathered too much nectar
she must come down.
And to whom shall she descend?
Down,
down,
to the mengods of night.
But Lo,
the Age of Enlightenment passes,
she rises.______________________________________ Babylouche
O is for Oak
The Sleigh-Bells
'Tis merry to hear, at evening time,
By the blazing hearth the sleigh-bells chime;
To know the bounding steeds bring near
The loved one to our bosoms dear.
Ah, lightly we spring the fire to raise,
Till the rafters glow with the ruddy blaze;
Those merry sleigh-bells, our hearts keep time
Responsive to their fairy chime.
Ding-dong, ding-dong, o'er vale and hill,
Their welcome notes are trembling still.
'Tis he, and blithely the gay bells sound,
As his sleigh glides over the frozen ground;
Hark! He has pass'd the dark pine wood,
He crosses now the ice-bound flood,
And hails the light at the open door
That tells his toilsome journey's o'er.
The merry sleigh-bells! My fond heart swells
And trobs to hear the welcome bells;
Ding-dong, ding-dong, o'er ice and snow,
A voice of gladness, on they go.
Our hut is small, and rude our cheer,
But love has spread the banquet here;
And childhood springs to be caress'd
By our beloved and welcome guest.
With a smiling brow his tale he tells,
The urchins ring the merry sleigh-bells;
The merry sleigh-bells, with shout and song
They drag the noisy string along;
Ding-dong, ding-dong, the father's come
The gay bells ring his welcome home.
From the cedar swamp the gaunt wolves howl,
From the oak loud whoops the felon owl;
The snow-storm sweeps in thunder past,
The forest creaks beneath the blast;
No more I list, with boding fear,
The sleigh-bells distant chime to hear.
The merry sleigh-bells with soothing power
Shed gladness on the evening hour.
Ding-dong, ding-dong, what rapture swells
The music of those joyous bells!
____________________________Susanna Moodie
P is for Pine
Daybreak In Alabama
When I get to be a composer
I'm gonna write me some music about
Daybreak in Alabama
And I'm gonna put the purtiest songs in it
Rising out of the ground like a swamp mist
And falling out of heaven like soft dew.
I'm gonna put some tall tall trees in it
And the scent of pine needles
And the smell of red clay after rain
And long red necks
And poppy colored faces
And big brown arms
And the field daisy eyes
Of black and white black white black people
And I'm gonna put white hands
And black hands and brown and yellow hands
And red clay earth hands in it
Touching everybody with kind fingers
And touching each other natural as dew
In that dawn of music when I
Get to be a composer
And write about daybreak
In Alabama.
________________________________Langston Hughes
Q is for Quince
The Owl and the Pussy-Cat
The Owl and the Pussy-Cat went to sea
In a beautiful pea-green boat:
They took some honey,
and plenty of money
Wrapped up in a five-pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
"O lovely Pussy, O Pussy, my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!"
Pussy said to the Owl, "You elegant fowl,
How charmingly sweet you sing!
Oh! let us be married;
too long we have tarried:
But what shall we do for a ring?"
They sailed away, for a year and a day,
To the land where the bong-tree grows;
And there in a wood a Piggy-wig stood,
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.
"Dear Pig, are you willing to sell for one shilling
Your ring?" Said the Piggy, "I will."
So they took it away, and were married next day
By the Turkey who lives on the hill.
They dined on mince and slices of quince,
Which they ate with a runcible spoon;
And hand in hand on the edge of the sand
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.
_______________________________________Edward Lear
R is for Rose
CASIDA of the ROSE
The rose
was not seaching for the sunrise:
almost eternal on its branch,
it was searching for something else.
The rose
was not searching for darkness or science;
borderline of flesh and dream,
it was searching for something else.
The rose
was not searching for the rose.
Motionless in the sky
it was searching for something else.
_____________________________________Federico Garcia Lorca
S is for Sunflower
Ah! Sunflower
Ah Sunflower, weary of time,
Who countest the steps of the sun;
Seeking after that sweet golden clime
Where the traveller's journey is done;
Where the Youth pined away with desire,
And the pale virgin shrouded in snow,
Arise from their graves, and aspire
Where my Sunflower wishes to go!
_________________________________ William Blake
T is for Tulip
Colors Passing Through Us
Purple as tulips in May, mauve
into lush velvet, purple
as the stain blackberries leave
on the lips, on the hands,
the purple of ripe grapes
sunlit and warm as flesh.
Every day I will give you a color,
like a new flower in a bud vase
on your desk. Every day
I will paint you, as women
color each other with henna
on hands and on feet.
Red as henna, as cinnamon,
as coals after the fire is banked,
the cardinal in the feeder,
the roses tumbling on the arbor
their weight bending the wood
the red of the syrup I make from petals.
Orange as the perfumed fruit
hanging their globes on the glossy tree,
orange as pumpkins in the field,
orange as butterflyweed and the monarchs
who come to eat it, orange as my
cat running lithe through the high grass.
Yellow as a goat's wise and wicked eyes,
yellow as a hill of daffodils,
yellow as dandelions by the highway,
yellow as butter and egg yolks,
yellow as a school bus stopping you,
yellow as a slicker in a downpour.
Here is my bouquet, here is a sing
song of all the things you make
me think of, here is oblique
praise for the height and depth
of you and the width too.
Here is my box of new crayons at your feet.
Green as mint jelly, green
as a frog on a lily pad twanging,
the green of cos lettuce upright
about to bolt into opulent towers,
green as Grand Chartreuse in a clear
glass, green as wine bottles.
Blue as cornflowers, delphiniums,
bachelors' buttons. Blue as Roquefort,
blue as Saga. Blue as still water.
Blue as the eyes of a Siamese cat.
Blue as shadows on new snow, as a spring
azure sipping from a puddle on the blacktop.
Cobalt as the midnight sky
when day has gone without a trace
and we lie in each other's arms
eyes shut and fingers open
and all the colors of the world
pass through our bodies like strings of fire.
_______________________________________Marge Piercy
******************* END OF PART TWO *******************
*****************************************************
OP
Part three of three
U is for Umbrella Tree
Umbrella tree noun: Any of several trees of the genus Magnolia of the southeastern United States,
having large leaves clustered in an umbrellalike form
at the ends of the branches.
__________________American Heritage Dictionary - New College Edition
"...like a sweet magnolia tree
my love blossoms tenderly, hey, hey, heeeey.
_________________________________________ Little Stevie Wonder
The Four Winds
WIND of the North,
Wind of the Norland snows,
Wind of the winnowed skies, and sharp, clear stars,—
Blow cold and keen across the naked hills,
And crisp the lowland pools with crystal films,
And blur the casement squares with glittering ice,
But go not near my love.
Wind of the West,
Wind of the few, far clouds,
Wind of the gold and crimson sunset lands,—
Blow fresh and pure across the peaks and plains,
And broaden the blue spaces of the heavens,
And sway the grasses and the mountain pines,
But let my dear one rest.
Wind of the East,
Wind of the sunrise seas,
Wind of the clinging mists and gray, harsh rains,—
Blow moist and chill across the wastes of brine,
And shut the sun out, and the moon and stars,
And lash the boughs against the dripping eaves,
Yet keep thou from my love.
But thou, sweet wind!
Wind of the fragrant South,
Wind from the bowers of jasmine and of rose,—
Over magnolia blooms and lilied lakes
And flowering forests come with dewy wings,
And stir the petals at her feet, and kiss
The low mound where she lies.
___________________________Charles Henry Luders
V is for Violets
lily has a rose
(i have none)
"don't cry dear violet
you may take mine"
"o how how how
could i ever wear it now
when the boy who gave it to
you is the tallest of the boys"
"he'll give me another
if i let him kiss me twice
but my lover has a brother
who is good and kind to all"
"o no no no
let the roses come and go
for kindness and goodness do
not make a fellow tall"
lily has a rose
no rose i've
and losing's less than winning(but
love is more than love)
__________________________ e e cummings
W is for Watermelon
A haiku
Now listen, you watermelons -
if any theves come -
turn into frogs!
__________________________ Issa, 1819
X is for X-Plant
The X-plant
This poem is for those plants that are unknown but extant
This poem is for those plants that are unknown but extinct.
This poem does not decry floral anonymity .
This poem simply provides annex ...and rhymes, I think.
__________________________________unknown
Y is for Yew
To Jean
The yucca's leaves, like bayonets,
Protect the wax-like, fragile flowers.
I would your April beauty thus secure
From hurt of life's thorn-sharpened hours.
___________________________________ Edith Tatum
Z is for Zucchini
Attack of the Squash People
And thus the people every year
in the valley of humid July
did sacrifice themselves
to the long green phallic god
and eat and eat and eat.
They're coming, they're on us,
the long striped gourds, the silky
babies, the hairy adolescents,
the lumpy vast adults
like the trunks of green elephants.
Recite fifty zucchini recipes!
Zucchini tempura; creamed soup;
sauté with olive oil and cumin,
tomatoes, onion; frittata;
casserole of lamb; baked
topped with cheese; marinated;
stuffed; stewed; driven
through the heart like a stake.
Get rid of old friends: they too
have gardens and full trunks.
Look for newcomers: befriend
them in the post office, unload
on them and run. Stop tourists
in the street. Take truckloads
to Boston. Give to your Red Cross.
Beg on the highway: please
take my zucchini, I have a crippled
mother at home with heartburn.
Sneak out before dawn to drop
them in other people's gardens,
in baby buggies at churchdoors.
Shot, smuggling zucchini into
mailboxes, a federal offense.
With a suave reptilian glitter
you bask among your raspy
fronds sudden and huge as
alligators. You give and give
too much, like summer days
limp with heat, thunderstorms
bursting their bags on our heads,
as we salt and freeze and pickle
for the too little to come.
____________________________________Marge Piercy
********************** THE *********************
********************** END *********************
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