"
Passengers on the south-bound saw them seated together, and wondered at the conflux of two such antipodes. McGuire was five feet one, with a countenance belonging to either Yokohama or Dublin. Bright-beady of eye, bony of cheek and jaw, scarred, toughened, broken and reknit, indestructible, grisly, gladiatorial as a hornet, he was a type neither new nor unfamiliar. Raidler was the product of a different soil. Six feet two in height, miles broad, and no deeper than a crystal brook, he represented the union of the West and South. Few accurate pictures of his kind have been made, for art galleries are so small and the mutoscope is as yet unknown in Texas. After all, the only possible medium of portrayal of Raidler's kind would be the fresco--something high and simple and cool and unframed."

Mutoscope
(n.) A simple form of moving-picture machine in which the series of views, exhibiting the successive phases of a scene, are printed on paper and mounted around the periphery of a wheel. The rotation of the wheel brings them rapidly into sight, one after another, and the blended effect gives a semblance of motion.